With consideration to the historical elements we’ve covered so far, discuss how the film music score from the new version of King Kong (2005) differs from the first King Kong (1933).

-How did film music scores evolve and change since then to result in the music we hear in the new version of King Kong (2005)

-Once you’ve situated the soundtrack historically, use any or all of Gorbman’s principles and/or Timm’s functons as a tool to analyze a key scene in the newer version of King Kong (2005) where you feel music marries with picture to help bring specific story moments to unique audio visual life on screen.