Typically, texts about romance that breaks social conventions present such love as objectionable and dangerous.

In light of this view, discuss how Shakespeare presents relationships in this extract and elsewhere in the play.                                                                                                                                                [25 marks]

IAGO

I am one, sir, that comes to tell you your daughter
and the Moor are now making the beast with two backs.

BRABANTIO

Thou art a villain.

IAGO

You are–a senator.

BRABANTIO

This thou shalt answer; I know thee, Roderigo.

RODERIGO

Sir, I will answer any thing. But, I beseech you,
If’t be your pleasure and most wise consent,
As partly I find it is, that your fair daughter,
At this odd-even and dull watch o’ the night,
Transported, with no worse nor better guard
But with a knave of common hire, a gondolier,
To the gross clasps of a lascivious Moor–
If this be known to you and your allowance,
We then have done you bold and saucy wrongs;
But if you know not this, my manners tell me
We have your wrong rebuke. Do not believe
That, from the sense of all civility,
I thus would play and trifle with your reverence:
Your daughter, if you have not given her leave,
I say again, hath made a gross revolt;
Tying her duty, beauty, wit and fortunes
In an extravagant and wheeling stranger
Of here and every where. Straight satisfy yourself:
If she be in her chamber or your house,
Let loose on me the justice of the state
For thus deluding you.

BRABANTIO

Strike on the tinder, ho!
Give me a taper! call up all my people!
This accident is not unlike my dream:
Belief of it oppresses me already.
Light, I say! light!

Exit above

IAGO

Farewell; for I must leave you:
It seems not meet, nor wholesome to my place,
To be produced–as, if I stay, I shall–
Against the Moor: for, I do know, the state,
However this may gall him with some cheque,
Cannot with safety cast him, for he’s embark’d
With such loud reason to the Cyprus wars,
Which even now stand in act, that, for their souls,
Another of his fathom they have none,
To lead their business: in which regard,
Though I do hate him as I do hell-pains.
Yet, for necessity of present life,
I must show out a flag and sign of love,
Which is indeed but sign. That you shall surely find him,
Lead to the Sagittary the raised search;
And there will I be with him. So, farewell.

Exit

Enter, below, BRABANTIO, and Servants with torches

BRABANTIO

It is too true an evil: gone she is;
And what’s to come of my despised time
Is nought but bitterness. Now, Roderigo,
Where didst thou see her? O unhappy girl!
With the Moor, say’st thou? Who would be a father!
How didst thou know ’twas she? O she deceives me
Past thought! What said she to you? Get more tapers:
Raise all my kindred. Are they married, think you?

RODERIGO

Truly, I think they are.

BRABANTIO

O heaven! How got she out? O treason of the blood!
Fathers, from hence trust not your daughters’ minds
By what you see them act. Is there not charms
By which the property of youth and maidhood
May be abused? Have you not read, Roderigo,
Of some such thing?